DNEG, the London-headquartered visual effects and animation house that has won Oscars for the likes of Denis Villeneuve’s Dune and Christopher Nolan’s Tenet and has also worked on The Last of Us and ...

VFX Supervisor David Van Dyke and cinematographers Mike Berlucci and Cynthia Pusheck discuss how a blend of LED volume and green screens helped them realize the show's visual ambitions. The team ...

DNEG's new division, DNEG 360, will be operated together with Dimension Studio using two of the world’s largest LED volume stages based in London and Rome. [For news of the latest DNEG redundancies, ...

Netflix has recently released Spain’s first film using LED volume technology, teen romantic drama “Through My Window” (“A Través de mi Ventana”). Produced by Adrian Guerra’s Nostromo Pictures ...

Opening up multiple shoot possibilities during COVID-19 and beyond, top Spanish producer Adrian Guerra is bowing Orca Studios, a new Spain-based virtual production facility that uses the same LED ...

Virtual production has rapidly become one of the most promising techniques in media. But while a huge and sophisticated real-time display instead of a green screen solves many problems, it also ...

Saskatchewan is expected to lose a $12.5-million piece of filmmaking apparatus called an "LED volume wall" that was once touted as big step forward for the local industry. The wall is currently housed ...

Virtual production opens up amazing new possibilities for a DP, but as with any new technology there are certain tips and tricks to getting the best out of it. Virtual production technically covers a ...

The partners expand on their 2021 joint venture deal with visualization, virtual production, content creation, and development services. By Georg Szalai Global Business Editor The partners also ...