From the mariachi’s booming guitarron on “Cielito Lindo,” to the powerful accordeón in Los Tigres del Norte’s “Ni Parientes Somos” to even the trap drums of a Natanael Cano corrido tumbado, the sound ...
He was known as a “genius luthier” among niche mandolin communities across the nation and a notable bass player who helped enliven southwestern New Mexico’s music scene. Those who encountered William ...
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